“And suppose we do?” agreed Joan, her courage rising. “Why should we shun one another, as if we were both of us incapable of decency or self-control? Why must love be always assumed to make us weak and contemptible, as if it were some subtle poison? Why shouldn’t it strengthen and ennoble us?” “You see, dear, I began when I was young,” she explained; “and he has always seen me the same. I don’t think I could live like this.”!

The girl rose. “I must be getting back,” she said. “Dad will be wondering where I’ve got to.” They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it.

“They would never overtake the farmer,” he answered, with a laugh. “And the last word would always be with him. I am out to get rid of the landlords,” he continued, “not to establish them as the permanent rulers of the country, as they are in Germany. The people are more powerful—just a little, because they are no longer dependent on the land. They can say to the farmer, ‘All right, my son, if that’s your figure, I’m going to the shop next door—to South America, to Canada, to Russia.’ It isn’t a satisfactory solution. I want to see England happy and healthy before I bother about the Argentine. It drives our men into the slums when they might be living fine lives in God’s fresh air. In the case of war it might be disastrous. There, I agree with him. We must be able to shut our door without fear of having to open it ourselves to ask for bread. How would Protection accomplish that? Did he tell you?” Years afterwards, listening to the overture to Tannhäuser, there came back to her the memory of that night. Ever through the mad Satanic discords she could hear, now faint, now conquering, the Pilgrims’ onward march. So through the jangled discords of the world one heard the Song of Life. Through the dim aeons of man’s savage infancy; through the centuries of bloodshed and of horror; through the dark ages of tyranny and superstition; through wrong, through cruelty, through hate; heedless of doom, heedless of death, still the nightingale’s song: “I love you. I love you. I love you. We will build a nest. We will rear our brood. I love you. I love you. Life shall not die.” The doctor himself was a broad-shouldered, bullet-headed man, clean shaven, with close-cropped, bristly hair. He had curiously square hands, with short, squat fingers. He had been head surgeon in one of the Paris hospitals, and had been assigned his present post because of his marvellous quickness with the knife. The hospital was the nearest to a hill of great strategical importance, and the fighting in the neighbourhood was almost continuous. Often a single ambulance would bring in three or four cases, each one demanding instant attention. Dr. Poujoulet, with his hairy arms bare to the shoulder, would polish them off one after another, with hardly a moment’s rest between, not allowing time even for the washing of the table. Joan would have to summon all her nerve to keep herself from collapsing. At times the need for haste was such that it was impossible to wait for the anaesthetic to take effect. The one redeeming feature was the extraordinary heroism of the men, though occasionally there was nothing for it but to call in the orderlies to hold some poor fellow down, and to deafen one’s ears.